19 déc. 2021


7 Delicious Recipes from 

Emily Dickinson

It’s fairly common knowledge these days that everyone’s first favorite poet Emily Dickinson was also no slouch in the kitchen. In fact, as others have pointed out, in her lifetime she was almost certainly more famous for being a baker than she was for being a poet. Her creative and culinary works even seem to have influenced one another—or at least she worked on a number of poems in the kitchen, while she worked. So it’s no surprise that the Dickinson family recipes—a few of which have survived—fascinate the faithful. At least, I know that personally I decide to make one of them every year (only to become daunted or otherwise forget). So in case you’d like to impress everyone you know by arriving at your next seasonal gathering with a picnic basket full of Emily Dickinson-approved recipes (and especially if you have a boat full of eggs you need to unload), here are a few recipes to choose from. Perhaps they will even inspire some verse from your friends and neighbors.

Coconut Cake:

1 cup coconut
2 cups flour
1 cup sugar
1/2 cup butter
1/2 cup milk
2 eggs
1/2 teaspoon soda
1 teaspoon cream of tartar

According to the Emily Dickinson Museum website, Dickinson wrote many poems in the kitchen—often on the backs of labels, recipes and other papers, and these reveal that the kitchen “was a space of creative ferment for her, and that the writing of poetry mixed in her life with the making of delicate treats.” After all, what better way to fill the long interval between putting something good in the oven and getting to eat it? Indeed, on the back of this recipe for coconut cake, apparently passed on to her by a Mrs. Carmichael, Dickinson drafted a poem:

The Things that never can come back, are several —
Childhood — some forms of Hope — the Dead —
Though Joys — like Men — may sometimes make a Journey —
And still abide —
We do not mourn for Traveler, or Sailor,
Their Routes are fair —
But think enlarged of all that they will tell us
Returning here —
“Here!” There are typic “Heres” —
Foretold Locations —
The Spirit does not stand —
Himself — at whatsoever Fathom
His Native Land —


1/2 cup butter
2 eggs
1 cup sugar
1 ct. yeast
1/2 nutmeg
2 cups milk

On the back of this recipe, Dickinson has written simply “Kate’s doughnuts”—the identity of Kate is a mystery. Perhaps these doughnuts were their own poems.

Black Cake:

2 pounds Flour—
2 Sugar—
2 Butter—
19 Eggs—
5 pounds Raisins—
1 ½ Currants
1 ½ Citron
½ pint Brandy
½ — Molasses—
2 Nutmegs—
5 teaspoons
2 teaspoons Soda—

Beat Butter and Sugar together—
Add Eggs without beating—and beat the mixture again—
Bake 2½ or three hours, in Cake pans, or 5 to 6 hours in Milk pan, if full—

The Library of America blog notes that the Dickinson family had several “lawless cake” recipes, and that Emily’s father “would eat no bread except that baked by her.” All I have to say is that 19 eggs is lawless indeed. So is the fact that, once baked, but before the brandy was poured in, this cake weighed almost 20 pounds. NB: The Washington Post published an updated version of the recipe in 1995, apparently more suited for “20th-century palates.” That one only calls for 13 eggs.


1 quart flour
1/2 cup butter
1/2 cup cream
1 tablespoon ginger
1 teaspoon soda
1 teaspoon salt
Make up with molasses

The editors of Emily Dickinson: Profile of the Poet as Cook add these instructions: “Cream the butter and mix with lightly whipped cream. Sift dry ingredients together and combine with the other ingredients. The dough is stiff and needs to be pressed into whatever pan you choose. A round or small square pan is suitable. Bake at 350 degrees for 20–25 minutes.” There is no attendant recipe for the glaze, although Dickinson did apparently glaze her gingerbread, and sometimes garnished it with an edible flower or two.

According to Emily Dickinson museum tour guide Burleigh Mutén, whenever Dickinson saw children playing in her family gardens, “she headed for the pantry, filled a basket with cookies or slices of cake—often gingerbread—carried it upstairs to a window in the rear of the house (so their mothers wouldn’t see), and attached the basket to a rope to slowly lower it to the “storm-tossed, starving pirates” or the “lost, roaming circus performers” eagerly waiting below.” When she was out of baked goods, she would send down two cups of raisins, which the children ate like candy.


Wheat flour, two tablespoonfuls
Brown sugar, two tablespoonfuls
Cream (or melted butter), four tablespoonfuls
Eggs, one
Milk, one-half pint
Indian meal, to make a thick batter



One cup of ground rice (now you might use rice flour)
One cup of powdered sugar
Two eggs
One-half of a cup butter
One spoonful of milk with a very little soda
Flavor to suit.

These two recipes were originally published by Dickinson’s cousin, Helen Bullard Wyman, in a summer 1906 issue of The Boston Cooking-School Magazine. “Rice-cake was considered our very best ‘company cake’ in my childhood,” she wrote, “being carefully placed in a large tin pail, and only used when outside persons came to tea. The rule was much richer than this, however, and it was baked in sheets, very thin, and cut into squares after coming from the oven. Mace (or nutmeg) was the spice always used in it.”

Lyman’s Rye and Indian Bread

3 cups corn meal
1 teaspoon salt
1/2 cup molasses
1 cup milk
1 1/2 cups buttermilk
4 cups rye flour
2 teaspoons soda
1/2 cup stewed Irish Potato

Add salt and molasses to corn meal. Pour boiling milk over it. Add cold buttermilk to the rye flour, plus baking soda. Mix entire ingredients together, adding the stewed potato. No rising time is needed. When firm, place in a round bread pan; bake at 440 degrees for 2 1/2 hours. When done, cover loaf with butter and a towel to help retain moisture.

Makes 1 loaf.

I found this one on a forum called CivilWarTalk, so my thanks to Donna from Kentucky. Lyman refers to Joseph Lyman, one of Dickinson’s cousins. Perhaps this is the very recipe with which Dickinson won second prize at the 1856 Amherst Cattle Show?

December 8, 2017


4 déc. 2021


Bibliographie d'André Dhôtel


  • Campements, Paris, Gallimard, 1930 ; rééd. 1987.
  • Le Village pathétique, Paris, Gallimard, 1943 ; rééd. coll. « Folio », 1975.
  • Nulle part, Paris, Gallimard, 1943 ; rééd. Paris, Pierre Horay, 1956, 1977 ; Rombaldi, 1979.
  • Les Rues dans l’aurore, Paris, Gallimard, 1945.
  • Le Plateau de Mazagran, Paris, Éditions de Minuit, 1947 ; rééd. Paris, Guilde du livre, 1960 ; Paris, Marabout, 1977.
  • David, Paris, Éditions de Minuit, 1948 ; rééd. Paris, Marabout, 1979 [roman écrit dans las années 1930].
  • Ce lieu déshérité, Paris, Gallimard, 1949 ; rééd. 1997.
  • Les Chemins du long voyage, Paris, Gallimard, 1949 ; rééd. coll. « Folio », 1984.
  • L’Homme de la scierie, Paris, Gallimard, 1950.
  • Bernard le paresseux, Paris, Gallimard, 1952 ; rééd. coll. « L'Imaginaire », 1984.
  • Les Premiers Temps, Paris, Gallimard 1953 ; rééd. 1987.
  • Le Maître de pension, Paris, Grasset, 1954.
  • Mémoires de Sébastien, Paris, Grasset, coll. « Les Cahiers verts », 1955.
  • Le Pays où l’on n’arrive jamais, Paris, P. Horay, 1955 ; rééd. Paris, J’ai lu , 1960 ; Paris, Gallimard, 1975.
  • Le Ciel du Faubourg, Paris, Grasset 1956 ; rééd. Paris, Grasset, coll. Les Cahiers rouges, 1984.
  • Dans la vallée du chemin de fer, Paris, P. Horay, 1957.
  • Le Neveu de Parencloud, Paris, Grasset, 1960.
  • Ma chère âme, Paris, Gallimard, 1961 ; rééd. Paris, Phébus, coll. « Libretto », 2003.
  • Les Mystères de Charlieu-sur-Bar, Paris, Gallimard, 1962 ; rééd. Rombaldi, 1979.
  • La Tribu Bécaille, Paris, Gallimard, 1963 ; rééd. 1977.
  • Le Mont Damion, Paris, Gallimard, 1964.
  • Pays natal, Paris, Gallimard, 1966 ; rééd. Paris, Phébus, coll. « Libretto », 2003.
  • Lumineux rentre chez lui, Paris, Gallimard, 1967 ; rééd. Phébus, coll. « Libretto », 2003.
  • L'Azur, Paris, Gallimard, 1968 ; rééd. coll. « Folio », 2003.
  • L'Enfant qui disait n'importe quoi, Paris, Gallimard, 1968 ; rééd. coll. « Folio Junior », 1978.
  • Un jour viendra, Paris, Gallimard, 1970 ; rééd. Paris, Phébus, Libretto, 2003.
  • La Maison du bout du monde, Paris, P. Horay, 1970.
  • L’Honorable Monsieur Jacques, Paris, Gallimard, 1972.
  • Le Soleil du désert, Paris, Gallimard, 1973 ; rééd. 1997.
  • Le Couvent des pinsons, Paris, Gallimard, 1974
  • Le Train du matin, Paris, Gallimard, 1975.
  • Les Disparus, Paris, Gallimard, 1976.
  • Bonne nuit Barbara, Gallimard, 1978.
  • L’Île de la croix d’or, Paris, Gallimard, 1000 soleils, 1978.
  • La Route inconnue, Paris, Phébus, 1980.
  • Des trottoirs et des fleurs, Paris, Gallimard, 1981.
  • Je ne suis pas d’ici, Paris, Gallimard, 1982.
  • Histoire d’un fonctionnaire, Paris, Gallimard, 1984.
  • Vaux étranges, Paris, Gallimard, 1986.
  • Lorsque tu reviendras, Paris, Phébus, 1986.

Nouvelles, récits et contes

  • Du Pirée à Rhodes, Le Rouge et le noir, 1928 ; rééd. Rezé, Séquences, 1996 (suivi de Printemps grec, préface de Jean Grosjean).
  • Ce jour-là, Paris, Gallimard, 1947.
  • La Chronique fabuleuse, Paris, Éditions de Minuit, 1955 ; rééd. Paris, Mercure de France (éd. augmentée), 1960 ; rééd. 2000.
  • L'Île aux oiseaux de fer, Paris, Fasquelle, coll. « Libelles », 1956 ; rééd. Paris, Grasset, coll. « Cahiers rouges », 2002.
  • Nulle part, Paris, P. Horay, 1957.
  • Les Voyages fantastiques de Julien Grainebis, Paris, P. Horay, 1957 ; 2003
  • Idylles, Paris, Gallimard, 1961 ; coll. « Folio », 2003.
  • La Plus Belle Main du monde, Paris, Casterman, coll. « Plaisir des contes », 1962.
  • Le Robinson de la rivière, Paris, Casterman, coll. « Plaisir des contes », 1962.
  • Les Lumières de la forêt, Paris, Fernand Nathan, 1964.
  • Un soir, Paris, Gallimard, 1977.
  • La Merveilleuse Bille de verre, Paris, Robert Laffont, 1980.
  • Comment Fabien regarda l’aurore, Paris, Clancier-Guénaud, Les Premiers temps, 1982.
  • La Princesse et la lune rouge, Paris, Casterman, 1982.
  • Le Bois enchanté et autres contes, Paris, Hachette, 1983.
  • Rhétorique fabuleuse, Paris, Garnier, 1983 ; rééd. Cognac, Le Temps qu'il fait, 1990.
  • La Nouvelle Chronique fabuleuse, Paris, P. Horay, 1984.
  • Pierre Marceau (Mesures, no 2, ), Paris, Mont Analogue, 1993.
  • Un adieu, mille adieux, Paris, La bibliothèque Gallimard , 2003.
  • Beauté, Paris, Phébus, coll. « Libretto », 2004.
  • Le Club des cancres, (récit paru primitivement dans le n° 1029 du  du Mercure de France) ill. et postface de Jean-Claude Pirotte, Paris, La Table Ronde, 2007.
  • D’un monde inconnu, ill. de Daniel Nadaud, Saint-Clément-de-Rivière, Fata Morgana, 2012.


  • Le Petit Livre clair, Arras, Le Rouge et le noir, 1928 ; Montolieu, Deyrolle & Théodore Balmoral, 1997.
  • La Chronique fabuleuse, Paris, Mercure de France, 1960 ; ce texte et ses avatars cités plus haut peuvent être lus comme des recueils de prose poétique.
  • La Vie passagère, Paris, Phébus, 1978.
  • Poèmes comme ça, Cognac, Le Temps qu’il fait, 2000 (préface de Jean-Claude Pirotte).


  • L'œuvre logique de Rimbaud, Mézières, Éditions de la Société des écrivains ardennais, 1933.
  • Rimbaud et la révolte moderne, Paris, nrf Gallimard, 1951.
  • Saint Benoit-Joseph Labre, Paris, Éditions Plon, 1957.
  • Le Roman de Jean-Jacques, Paris, Éditions du Sud, 1962.
  • La vie de Rimbaud, Paris, Éditions du Sud, 1965.
  • Nord-Flandre Artois-Picardie, texte par André Dhôtel, photographies par Jacques Fronval, Christian de Rudder, Alain Perceval, Jacques Verroust, série Tourisme en France nr 17, Paris, Éditions SUN, 1971.
  • Jean Follain, série Poètes d'aujourd'hui nr 49, Paris, Éditions Pierre Seghers, 1972.
  • La littérature et le hasard, recueil de textes établi et présenté par Philippe Blondeau, Saint-Clément-de-Rivière, Fata Morgana, 2015.